Write what you know: A short primer for comic book writers writing long-existing characters or screen writers developing works based on comic books featuring long-existing characters

Write what you know. This is advice that’s almost as old as writing itself. By writing, I’m referring to writing for yourself AND others, but we’ll get back to this point later.

There are generally two main interpretations of Write What You Know (or WWYK, an initialism that should not be confused with World Wide Year One Thousand, DC Comics’ upcoming 1000-issue mega event crossover event where the first 499 issues will be written by Geoff Johns minus any editorial oversight and the last 499 issues by Grant Morrisson minus any editorial oversight with the middle 2 issues co-written by Geoff and Grant after they learn what happens in each other’s 499 issues). SPOILER ALERT: Maxwell Lord gets into the Barber Shop business. Solomon Grundy and Bizarro are the narrators for all 1000 issues. Batman reveals his final contingency plan (you know, the one he would use if and when all of contingency plans were needed at the same time).

Sorry, I was rambling…Back to the two interpretations of Write What You Know…

1] Superficial Interpretation

Write What You Know means write from your own perspective and/or life and/or frame of reference. There is nothing wrong with this and it is in some respects easier. The problem comes in when Write What You Know means ONLY write from your own perspective and/or life and/or frame of reference. The result: A boatload of stories with settings similar or identical to your home town or place of employment, characters similar or identical to yourself or friends, opinions and life philosophies limited to your own…You get the picture.

2] Deeper Interpretation

Write What You Know means doing research before you write anything outside your field of knowledge / frame of reference while applying creativity to avoid thesis-like stories. The deeper interpretation is crucial in writing existing superheroes.

Steps for comic book writers writing long-existing characters or screen writers developing works based on comic books featuring long-existing characters:

1] Read the character bibles (these typically contain character bios, what a character is about [his/her motivation] and the most important events in his life). Of course, some comics companies sometimes misplace these… Black Adam J'onn the whole 52 someone out there have a lozenge or something?

2] Read the different writer’s runs with special emphasis of character portrayal. Let’s say, you’re planning on writing Green Arrow. Green Arrow has been written as the “Liberal Socially Conscious hero”, but during another period he was written a “Night Hunter” type vigilante. Another reason for reading these runs is the smaller story threads that were forgotten about or cut short due to a Mega Crossover Event.

3] Decide which portrayal to use. This could be one specific portrayal or a hybrid (Can you marry the “hyper-prepared Batman” with “the one who is regularly flummoxed by the on-again-off-again residents of Arkham"? Okay, bad example. The big rule here is to figure out which version can help you write the best story you can while not alienating all of that character's fandom. You are going to alienate some - there's no avoiding that. Back to Bats: "Batman: The brave and the bold" version of Bats is great, because it mixes many versions of Bats (e.g. “hyper-prepared Batman” meets "fat-headed, self-satisfied looking silver age Bats" meets "Bats who just loves punching people" meets "Grumpy Bats" meets...)

4] Be CONSISTENT in characterization. We can't blame evil Maxwell Lord or red kryptonite for every out-of-character moment. Inconsistent characterization is jarring to readers. Being consistent also helps you with plot in a "What would Batman do?" kind of way. So, charaterization is sort of mildly uber-important...I think.

So ends the sermon.

Mary Pickford - the hero remix...

I while back I came across this weirdly listenable song called Mary Pickford. It's about United Artists...You guys do watch movies, right?



Anyway, here are some of the lyrics:

Mary Pickford used to eat roses
Thought that they'd make her beautiful and they did,
One supposes.

Douglas Fairbanks, he was so handsome,
He wore a moustache,
Must-a had much cash, too,
Worth a king's ransom,

Charlie Chaplin, he was invited,
When these artists became united.
When these artists became united.

David Griffith worked as an extra,
Then as a stagehand,
Until they let him be
A director

Dave was brave, a mover and shaker,
A true pioneer,
He seemed to show no fear,
A real film maker

Just like Chaplin, he was invited,
When these artists became united.
When these artists became united.

They tied the knot together,
Groom and bride couldn't hide their pleasure.
They tried to pick fair weather,
But love died, didn't last forever.

I don't know about you out there, but I immediately thought about doing a JLI remix. Enjoy (and try singing it). Better yet, try to compose something better.

Martian Manhunter used to eat Oreos
Thought that they contained no lard but they did,
One supposes.

Michael Jon Carter, came from the Future
He wore a gold suit,
Must-a won much loot, too,
Worth a jackpot,

Ice Maiden, she was invited,
When these heroes became united.
When these heroes became united.
Theodore Kord worked as an sidekick,
Then as a hero,
Until they let him be
A martyr

Ted was brave,  inventor and acrobat,
A true pioneer,
He seemed to show no fear,
Swordless musketeer

Just like Tora, he was invited,
When these heroes became united.
When these heroes became united.

They banded together,
Heroes and teammates couldn't hide their pleasure.
They tried to pick fair weather,
But they were disbanded, didn't last forever.

Yes, please compose better lyrics...sigh

Deadline for submissions: 31 January 2011...

Hi to everybody in 1truegl-space!

Ive come across the Beta City anthology, which is looking for superhero short stories set within their own continuity but still allowing your own superheroes to feature. In fact, original heroes are encouraged.

By the way, it's the follow-up to POW!ERFUL TALES (An anthology that was featured way back when 1truegl was all spritely and not so jaded...over here).

I've got an idea for a submission already. Its funny that playing in an existing universe such as the Beta City one is NOT as restrictive to the writer in me as one would assume. No More Heroes  and its existing universe had the same effect. Strange.

The Missing Link: Why there's so much superhero prose stuff on this blog...

So, why is there so much superhero prose stuff on my blog?

Well, I could go into a lengthy essay-type answer, but this missing link (from my speculative fiction blogosphere reading days) covers a big chunk of the answer and, well, I haven't done a  "missing link" post in a LOOOOOOONG while.

Remember, the missing link posts also serve to prompt you to go out and rediscover some forgotten little joys of your life. I'm all sunshine and rainbows today.

Who’s in the market for Superhero Prose?

As you’ve learned from previous posts, 1truegl’s alter ego’s alter ego’s short story is soon to be published in the No More Heroes anthology. This is a thrill, I admit, and has led me to the following question: Are there any publications both online and in print looking to publish your superhero prose?

To answer that question, let’s limit ourselves to short fiction and start with anthologies, because that’s 1truegl’s bag.

Powers: A superhero anthology
I picked up on this antho pretty late, but there’s still time to whip up a story and submit it before 31 October 2010 or when filled. Btw, it is non-paying anthology.

Matters Most Extraordinary
This is an anthology that spotlights historical fiction with a super-powered twist. The hero aspect of superhero fiction is a little tangential here. This too is a for-the-love anthology.

Now we can focus on the Zines:

This Mutant Life
A zine from Oz focusing on the fiction related to the daily lives of the super-powered. Also a non-paying gig.

Metahuman Press
This online venue is quite unique in that it deals almost exclusively in serialized superhero fiction, ranging from 2-to-12-part limited series to ongoing series.

iHero Entertainment
This online magazine was previously incarnated as Cyber Age Adventures (from 1999 to 2006) and is about to make its return. Based in a shared universe, rights granted by the author can get a little complicated. It pays 5 cents per word and has a 3000 word limit.

A Thousand Faces
Of course, we shouldn’t forget A Thousand Faces: The Quarterly Journal of Superhuman Fiction, an online zine and print publication that is regularly promoted here.

My...power...is...draining...power...gone.

As previously interrogated out of me by the Purple Menace...

I confess...I've joined the other side.

A story I've spun has made it into the soon-to-be-published No More Heroes anthology, edited by Wayne Goodchild & Bill Tucker. I'm still not revealing my story's title, because self-hype is my kryptonite (although I try to encourage others to promote their talents).

Anyway, the good editors have given us an advanced look at the front and back covers. Just use your heigtened internet vision and take a gander at the late bronze agey coolness below...

You'll never take me alive, O Purple One!

Latest issue of A Thousand Faces is online!

Hello loyal reader,

Long time no post...I know...forgive me?

Issue # 12 of A Thousand Faces: The Quarterly Journal of Superhuman Fiction, a magazine that is available to read online for free. Story-wise, this issue is double-sized. So, there lots to read or skip (if some stories don’t match your sensibilities).

I have only read one story so far, Brand X: Double Play. It’s part of a series, but it features a story so far section to catch up / remind readers of what has happened. [Hint to comics companies]

Instructions to read A Thousand Faces webzine for free:
1. Click on the cover of A Thousand Faces (They should really have “Click Here to enter” on that cover – See, it’s not our fault.) This will take you to the Editor Frank Byrns’ column called “Thinking outside the longbox” (clever name) which gives little blurbs about each story contained in the current issue.
2. Click on "New Fiction" on your left.
3. Click on the Story you want to read and enjoy!