I’d like to dedicate this song to Seafire...

As mentioned before, Keane is my all-time favourite band. So, I was taken aback when my local radio station featured ‘Somewhere only we know’ (incidentally Keane’s most covered song) in their Old School, New School segment (where they compare songs by the original artists with covers done by other artists and open the phone lines to listeners).

Anyway, my first reaction (before even listening to the New School version by Laura Michelle Kelly) was “Sacrilege!” (I’d never heard the two versions played back to back before)

By the way, Miss Kelly has gotten rave reviews for her role in the production of Mary Poppins on London’s West End and that’s no mean feat. So, she's not talentless...

Anyway, judge for yourselves.

First listen to the Old School version (by Keane):



Then, listen to the New School version (by Laura Michelle Kelly):



My thoughts afterwards: I still prefer the original, but I’m biased.* I liked parts of Miss Kelly’s performance, but it sounds more like the opening number of a musical than anything else. In addition, she may have had really good musicians and arrangers working with her, but Keane consists of a lead vocalist with a very distinctive voice who’s also a great songwriter (Tom Chaplin), a genius composer/songwriter on keyboard/piano (Tim Rice-Oxley), and a talented drummer who knows how to elevate a song with his contribution (Richard Hughes).

Okay, so what does this have to do with comics or Seafire for that matter?

I just realised that considering Kelly’s musical theatre background plus my opinion of the three members of Keane, it was tantamount (at least in my eyes) to taking DC’s Trinity (Superman, Batman, and Wonder Woman) as a collective and comparing the group with Marvel's Dazzler.

VS

Seafire, as you may or may not recall, was a commenter who really came out to defend Dazzler when I got down on her a while back nad I'd like to read seafire's blog. So, this is an attempt to say, "Seafire, dude or dudette, you defended Dazzler with such passion that I'd like to read your comics blog."

The Missing Link: On the Origins of the Forgotten...

No, these my musings on the fossil record, but rather a quest inspired by you (the comics blogosphere at large). Sometimes discussions on the interwebs will remind me of some internet geek fare for which I no longer remember the location. The Missing Link is a sporadic (don’t expect a consistent release schedule as it’s dependent on my memory and my Google Fu) series of posts highlighting the results of my search...my continuing mission and never-ending battle to bring you the long-misplaced corners of internet awesome.

First, there’s this link that I have referenced in one or two posts but never supplied, because I lost the link. It is really on point. My only question is: Where is Dazzler?

Then, there’s this more scholarly work that I rediscovered.  I don’t agree with all the rules. In my opinion, rule 1 is merely one way to go. Rule 3 is optional (although, Pa Kent, Lucius Fox, Uncle Ben and others might beg to differ). I would amend rule 5 to say that if you do explain, make it a really short explanation (2 sentences at most) or have little bits drizzled throughout a series (if you absolutely have to). Rule 8 can be broken whenever you like, IMHO.

For more previously missing (or forgotten) links, watch this space.

True origin of Dazzler?

A comment from SallyP with regard to my last post mentioned Dazzler as let’s say a ‘questionable’ superhero. This made me think about the character.

I have to agree with Sally and just about anyone who nominates Dazzler for inclusion on such ‘lists of honour.’ However, I don’t want to get into the merits of the character, because ‘disco queen as mutant’ speaks for itself and Scipio has already done a wonderful job here, here and perhaps most tellingly here.

I do want to hypothesize about Dazzler’s genesis as character. In other words, what led Dazzler’s creation? What inspired such a memorable character?

As a mildly creative person myself, I often wonder how comic creators come up with characters and concepts. I am constantly entertained by the answers I find. For example, it was interesting to discover that the X-men were not named after Xavier, their founder and patriarch, but for the eXtra bit of power they possessed. Huh? What now?

I think I may be able to pinpoint the exact trigger for the temporary insanity that afflicted the minds of Tom Defalco and John Romita Jr. (and others*) when they created the mutant dancer in the late 70s (1979 or so).

*Jim Shooter, Louise Simonson, and Roger Stern [who came up with the name] may also deserve some of the ‘credit’ for Dazzler – creation via Marvel committee. See how everyone is trying to spread the credit around on this one? Initially, no one wanted any part in Dazzler’s creation. How could anyone NOT want to be part something as high concept as Dazzler?

To fair, Dazzler was supposed to be a HUGE media tie-in character with a Graphic Novel, possible Movie, and definately a real-life singer styled after her. Things didn't go as planned - there were a lot of reworkings of the character. Today I really want to talk about the second or third reworking (out of a possible baker's dozen reworkings Marvel have approved over the years).

When a character isn't working after reconceptualizing, what do you do? You say, "Damn the torpedoes. Full steam ahead!"

Is it just me or is Dazzler starting to do 'the robot' here? That unique sparking thing really gives the dance the freshness it needs. Dazzler, you're a true artist.

Dazzler at her disco best!

Here’s what I suspect happened:

The year was 1981. Defalco and Romita (or whoever the creative team were at the time) were hanging out at the Marvel Bullpen, wondering how they were going to rework the character whose original power was a voice with the same effect as Wonder Woman’s lasso (Bad guy: “I’ll tell you the truth. Just stop singing!”). I kid you not.

They decided to turn the radio on for some inspiration. Their favourite segment was on - the one where they play the song that was number one two years earlier to the day. The Bee Gees were singing a song called “Tragedy” (released in1979). That’s the instant when they came up with Dazzler’s mutant power getting in the way of her singing career, because that’s a tragedy.

Here are a few lyric excerpts from the song in question:

Tragedy
When you lose control
And you got no soul...

[That little bit sounds like Dazzler in a nutshell, doesn’t it?]

Tragedy
When the feeling’s gone
And you can’t go on
It’s tragedy...

[Apparently, she quit the whole hero gig at one stage. It was interfering with her vocal, musical, acting, and modelling ambitions. Our loss, I guess...]

And this little gem of an excerpt is kind of prophetic of fan reaction to Dazzler:

It’s hard to bear
With no one to love you,
You’re going nowhere...

Poor Dazzler. Her career as a superhero is the stuff of tragedy. [Cue the Bee Gees track. Then let the track fade out just as the spotlight fades on Dazzler.]